Critics

The theme of  “motion”   runs through the objects and acrylics on canvas  shown - and experienced - by  Silva's joining of the physical presence of the body and Nature with  conceptual metaphysical representation, combining life and art work. As a product of a human being, a work is imperfect from the outset; photographic silhouettes blotch white fabric in anticipation of the inevitable bias of the author´s muscular pumping and the environmental conditions of atmosphere and pressure, highlighting the plight of the embodiment of  ideas, of  art work as spoils of combat between ego and mind that is only conceived in caves.